Barely a day goes by in December without someone asking what your favourite Christmas song is (Possibly an exaggeration). ‘Fairytale of New York’ tends to lead the way, or Wham, Mariah Carey or some such. One girl I asked the other day said, “Go tell it on the mountain”, which I found rather odd, having not heard the song since I was about 10. I had the audacity to question whether it was even Christmas related, though once I was reminded of the lyrics, its yuletide credentials were authenticated and we all went about our day with a spring in our step and a song in our hearts…. “Overrr the hills and everyywhee-re.” (Google it. Or go to church)
Anyway, all this chat is by the by as like you, until recently I too was walking blindly in tinsel flickered shadows, unknowing of the true greatest Christmas song.
Now..there is a slight hitch. The song is so great that it is difficult to pinpoint a definitive version. No such problem occurs with other Christmas hits. I once checked the bottom of my shoe for fear of having stepped in something rotten, only to discover I’d done no such thing as the source of the stink was coming from the radio as Ronan Keating was bleating his way through the aforementioned ‘Fairytale of New York’. A criminal stench.
The key moment to the song of which I speak, after the beautiful chord progressions and swelling melodies, is a major high note, usually only hit in the second chorus (doing such in the first chorus sometimes kills the vibe, as the song then has nowhere to go) and the numerous artists to attempt it approach the note from all manner of directions and it’s difficult to decide which is best.
I became slightly obsessed, trawling Youtube for the optimum version, perfect atmosphere, wholesome delivery, (I’m not into any hint of sass at Christmas…Destiny’s Child have an abomination of a Christmas song called ‘Spread a Little Love On Christmas Day’ which has an horrific bit featuring the lyrics
“Do you have my back on Christmas Day?
Yes, I got your back on Christmas Day!
Do you have my back on Christmas Day?
Girl, I got your back on Christmas Day!
You got my back?
I got your back.
You got my back?
I got your back….” and so on.
Awful. When I’m pulling a cracker with my Nana, or showing my niece how to use her new toy, I’m doing so whilst full of Christmas warmth, not wondering if my mates have got my back at Christmas!) and of course they need to totally nail the big note. No rising up to it gradually, no singing a lower version, no changing the lyrics so the note is easier to hit (I’m looking at you John Denver; terrible version), you gotta take the risk and go for it.
The sheer number of versions can be overwhelming, so to make things a bit easier, I’ve called upon my partner in Christmas crime, Frankie Simpson, who pulls no punches with her opinions, thus causing many a ruckus between us when debating the pros and cons of the many variations of a classic. By the way, I’m talking about ‘O Holy Night’.
Frankie, tell the folks at home what got you hooked on the greatest Christmas song ever…and don’t say it wasn’t me demanding you listen to it in the pub once.
Frankie Simpson says:
“The first time I heard this song was when I was watching Home Alone. I fell in love with it immediately. The haunting sound of the choir singing those minor notes that echoed round the church. I had never heard anything like it. It grabbed me and since then, no other Christmas song or carol can compete. (Jim says, “I reckon you heard it on Home Alone and liked it, then you really got into it when I wouldn’t stop banging on about it.”)
Frankie continues, ignoring Jim. “As it is such a brilliant song, there are a lot of covers out there ranging from masterpieces to “you’ve just killed Christmas”. I frequently listen to the song year round, usually I’m hungover and crying into my pillow. But, if the version has moved me to tears, I know it’s a winner, hungover or not.”
Ok, so me and Frankie are going to take you through what we think are the ultimate versions…and knowing our friendship, we will know doubt totally agree with everything the other says. hmmm. Here we go.
Jim’s Top 4 O Holy Nights (It was a top 3 but I just listened to the Mahalia Jackson one and nearly cried)
- Andy Williams - O Holy Night
For me, this is the ultimate version. Clean, crisp and classy. Andy Williams is the unsung hero of Christmas. If you ever get chance to check his Christmas specials on Youtube, you’ll immediately realise he has been the soundtrack to your Christmas childhood, without you even knowing it. Here, he looks beautiful in white, handsome devil with avuncular warmth, easing through the rise and falls and sailing over the high notes with pleasing brilliance. Short and sweet as well, always a bonus.
2. Placido Domingo and Luciano Pavarotti - O Holy Night
This one is a whole new ball game. Bit of classical bombast gets things going just nicely, with the children’s choir adding the perfect Christmassy tone. Domingo lays the groundwork with an unarguable first verse and chorus before making way for the main man. (I like the way Domingo doesn’t go for the high note…builds a bit of suspense…leave that for ol’ Luciano.) The second Pavarotti sets off you think, “Oof, this is gonna be good.” The unmistakable strength in his lungs not only puts you at ease, but also gets you excited for what he’s gonna hit you with later. And sure enough, he belts out the high note with joyful triumphance.
3. Mariah Carey - O Holy Night
If you're a fan of a high note, you’ve come to the right place. If Andy Williams is the king of Christmas (he is), then our Mariah has gotta be the queen. Yeh yeh, ‘All I Want For Christmas Is You’ is a bonafide Christmas classic, but give me this any day of the week (preferably in December). I love this version for many reasons, the main being how happy and beautiful she looks while belting out an absolute corker in a way most would only dream of. She starts nice and low, and like Pavarotti, you know she’s got the chops to take you, Rudolph, Ebenezer and Jesus to church and back. She’s got it covered. The power in her voice is a magnificence and the high note is a thing of insanity, coming back down to earth with snow on it. In terms of build up, I reckon this one is my favourite, it grows and grows to the point of euphoria (Spiritually speaking).
Frankie says: “This is not on my list because I don’t rate it. There’s far too much going on that she takes the emotion out of the song which is already there because the melody is so superb. She spoils it. As for those high notes, that don’t impress me much! Anyone can hit a high note like that if you sing from the back of your throat. I’m doing it now! I’m also at work and being told to shut up! Rude! In my opinion the so called ‘Queen of Christmas’ has spoilt the ultimate Christmas song. I now I need to listen to Mahalia’s version about 10 times to get this vile one out of my head. So now I’m crying at work.”
4. Mahalia Jackson - O Holy Night
This is a real beaut. Really sparse and raw. Pardon my ignorance of Mahalia but her pronunciation is pretty weird (nuanced, shall we say) and I love it all the more for it. The whole thing has a real emotional authority to it, leaving you to assume she’s lived a thousand lives, each more soul-wrenching than your own. I love the way she ends the choruses, like she really wants to make sure you totally get it. The last 30 seconds give me massive shivers and I feel slightly throaty just writing this. Very beautiful.
So those are my faves. Frankie, over to you.
Frankie's Top 3 O Holy Nights
3. Patti Labelle - O Holy Night
Frankie says: “I only discovered this version this year and love it! I love how she has made it her own yet not completely changed the structure so that it’s unrecognisable. I am NOT a fan of artists changing the song too much as it’s so powerful already. If too much is added it takes everything away from the melody which is enough for the artist just to sing. (I’ve also just noticed she duets this with John Legend. I shall be checking this out!!!)”
Jim says: “A bit strained for my liking..nice though. Full marks to whoever had to apply her hairspray..must’ve been a Herculean effort.”
2 - Celine Dion - O Holy Night
Frankie says: “This is the second version I heard. After hearing it on Home Alone I wanted to hear more versions and this is the second one I came across and it is still one of my favourites. It has actually been number 1 for a while. It’s typical Dion, holding her voice back and hitting it hard where it matters which is exactly how this song should be sung. In my opinion, this is a million times better than another certain Diva’s version. This is effortless and I adore it!”
Jim says: “Bit slow. Feels like you wanna shout, ‘Alright mate, get on with it!’…nice though. No arguing that high note.”
NUMBER 1 – Mahalia Jackson - O Holy Night
Frankie says: “I discovered this version last year and can’t believe it took me so long to find it. I cried, and shock horror, I wasn’t hungover!!!! (Well, maybe a bit) It is amazing, right up my street! Her voice is effortless yet full of emotion. As I’ve previously mentioned, this song is powerful enough, you just need to deliver it and compliment it correctly, and boy, does Mahalia do that!!! Every note is perfect, nothing is strained or pushed too hard. The music starts, and she just sings, that’s all she needs to do and it all falls into place. I love her. A worthy winner.”
Jim says: “I feel like I’ve just nicked this version off you now, but I promise I listened to it down my own rabbit hole.”
Ok so you’ve heard mine and Frankie’s. I guess if we were holding a vote then Mahalia Jackson comes out on top, and I’m happy with that. I do think it is the most emotionally affecting.
So have a look around for yourself and see what you reckon. Don’t come to me and Frank with suggestions though, we’re likely to give you a “Puhlease” eye-roll having listened to a thousand versions already. (Only joking, let us know)
Merry Christmas
Honourable mentions go to Michael Crawford (bit stagey for me..nice though), Josh Groban (bit wooden..nice though), Ernie Ford and Gordon MacRae (like this a lot…lovely couple of fellas)..and so on, and so on.